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Three early printed books from the collections of the Museum of West Bohemia in Pilsen were digitised in 2019. The earliest of them is a collection of works on law printed by Jean Barbier in Paris in 1506 (shelf mark 503 B 004); the others include an edition of the apologetic work Graecarum affectionum curatio by Theodoret of Cyrus, published by Hieronymus Commelinus in Heidelberg in 1592 (shelf mark 503 E 003), and an edition of the complete works of Seneca, prepared by Joost Lips (Justus Lipsius) and printed by Jan Moretus in Antwerp in 1605 (shelf mark 505 A 005).

The Czech Pharmaceutical Museum in Kuks (a centre of Charles University in Prague - the Faculty of Pharmacy in Hradec Králové) has provided access to a German herbarium of medical-pharmaceutical focus from the end of the 17th century or the beginning of the 18th century (shelf mark HK-SR-1). The work, referred to by its anonymous author as Lustgärtlein, has not been preserved in its entirety: it includes 108 coloured depictions of plants, a textual part, which provides descriptions of the plants and their medical use, and indices. Latin and German medical recipes were later added on the blank pages of the volume.

The North Bohemian Museum in Liberec digitised four manuscripts and one early printed book in 2019. Three of the manuscripts contain sheet music – works by composers active in Česká Kamenice around the middle of the 19th century, Franz Hanke and Anton Fleck; the last manuscript is a textbook of mathematics and a book of recipes for making colours from 1745–1747. The early printed book XXV Lieder für Kinder und Kinderfreunde from 1792 contains songs by Franz Anton Spielmann with music by Vincenc Mašek and František X. Dušek.

The set of thirty digitised music manuscripts from the National Library of the CR comes from the so-called Mozart Memorial, which was established in the National Library in 1837 as the very first Mozarteum in the world. It contains a representative selection of Mozart’s work, especially historically important copies and the first printed editions. Most of the volumes digitised in 2019 come from the turn of the 19th century; they contain handwritten copies of scores (mostly of Mozart’s concerts) and of the librettos of the operas La clemenza di Tito and Idomeneo.